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Interviewed by Deborah Withers and filmed by Emma Thatcher. Jazz at the Kolner Philharmonic programme cover. Maggie Nicols, Jazz at the Kolner Philharmonic, I was tutor at Lumb Bank and ran workshops at several British universities.

I cannot multi-task. I have lived for 77 years so far and have done so many things there are too many to mention. However — theatre has been my early paradise: Meet Your Feet — and — ongoing. Meet Your feet in Holland on a European Any one i need it badly. Meet Your Feet is an eclectic 9-piece all women band from Bristol playing original music with latin, jazz Looking for a woman for foot gig soul influences.

The songs are dynamic and have tight harmonies, catchy sax riffs, infectious percussion and lyrics that reflect the 80s drive for an environmentally friendly planet.

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This gig was so successful that the band decided to stay together and gradually the original line-up of the early years of the band evolved: During the 80s, Meet Your Feet had a lot Looking for a woman for foot gig success as a live band and as well as gigging all over Britain, they played also at all the prestigious festivals like WOMAD and Glastonbury.

Meet Your Feet did several European tours. In early the group disbanded as it became harder and harder to find new women to join the Lookinf as others were leaving due to other life commitments and events.

In Meet Your Feet reformed and has been gigging since. The latest line-up as a 9-piece is Bashema, vocals; Fanny Barratt, bass: It was The band had fkr out by doing some benefit gigs but it soon became apparent that they were going to be a well-loved Bristol band. I never expected to find myself as the manager of a band. I quickly learnt all the technical jargon and how to listen to the mix in the aa check and explain to the sound engineer what kind of sound we were looking for.

We played a lot of Looking for a woman for foot gig in and around Bristol and the South West.

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The problem for me as a Manager was trying to get anywhere near a decent fee as there were nine musicians in the band. Somehow we always got by. I had also produced a music video of Dance Your Shoes Off which we used for our Looking for a woman for foot gig. Fig we will looking further afield than the UK. With the release of our single we decided to go on tour, which meant investing in our own van.

We all slept in the van and the kit was stored underneath the beds.

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I remember once being in the car park, somewhere in Europe, and the look of total surprise on the face of an innocent bystander as one by one all ten of us traipsed out of the van. It was like the tardis. It was always Heie and myself who drove. Both of us are scared of heights and the very high bridges in Switzerland were quite a challenge!

Perhaps one of my fondest memories though is driving back, in the rain from France. Heie was having a rest in the back and lead singer Jules was in the front passenger seat.

We passed what appeared to be a man waving in the rain and Jules said what a Lookin job that was.

Lots of screaming ensued but we made it to the other side. Heie was many times our saviour. Back in the UK the bands popularity continued even though some of our line-up changed. Besides the usual gigs we also appeared at Glastonbury and Womad. One of the highlights for me is when we played cor first Chard Festival of Women Looking for a woman for foot gig Music; the band were playing and I was also making a documentary for HTV about the Festival.

This could be the first and last time that my two jobs would actually coincide.

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The band broke up in gif then rose like a phoenix from the ashes in I was asked if I would like to rekindle my role as manager but I declined. I still go to Looking for a woman for foot gig many gigs as I can and still really enjoy the music after all these years!

Acapella group from Z London: The Mistakes were a feminist pop-rock 5-piece band from Oxford. They were formed after George put an advert in the local newspaper, The Backstreet Bugle, for women to form a band after everyone expressed that they were fed up with dancing to sexist male music at the monthly lesbian disco.

She ran a rock PA hire company with her husband Jim womab acted as sound engineer at the larger mixed gigs and festivals.

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Songs were written in a variety of ways. Any member felt free to bring any rough ideas or semi-completed songs that the whole band then worked on. Mavis, Penny and Ali wrote most of the lyrics, but all members contributed equally to the whole sound and direction of the band. Ugh — I had no idea how to go about writing a song.

So Wife in Allentown for 2 wks plugged away at it and eventually came up with something. After that I got the hang of writing songs, and I still write them — they just appear in my head from time to time, uninvited.

The Mistakes decided at the beginning to have an open policy for gigs, making themselves open to many benefits to the different political campaigns the group supported.

The Mistakes played a large number of women-only gigs including Spare Rib parties, Bisexual conferences and the Women in Manual Trade conference in Nottingham which Looking for a woman for foot gig disrupted by taking place in the same venue as a massive punch-up between England and Scotland supporters!

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Oval released the Mistakes from their contract because they despaired of the longer time taken to work collectively Oval then decided to fund Looking for a woman for foot gig Thompson Twins instead. So I stood in for the tour. During this time of upheaval Penny decided to go solo with a band called The Dots. The Mistakes then advertised for a replacement drummer, holding auditions in London and were joined by Linda Gardner from Hackney.

The Mistakes performed for just over a year as a four piece. Later George decided to leave to follow her Dub Reggae urges and the band decided to call it a day, recording a live LP at the Sexy teacher University park Iowa Sunshine Club, Oxford, September 26 th, as a farewell gig.

Later Mavis became so concerned about why so few women were playing in bands that she started doing research whilst still in the band and later wrote the book Frock Rock OUP,a detailed study about women in the Looking for a woman for foot gig industry.

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After The Aa Ali left Oxford and got into choral music. She now writes her own choral music as well as directing a choir.

Listen to them here: From August they were joined Looking for a woman for foot gig Kate Buddeke, lead vocals and Janis Sharp, guitar and continued with mixed line-ups until December Check out the Mother Superior website for lots of great info, photos and videos. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account.

Notify me of new comments via email. Notify me of new posts via email. Sound Moves poster. AMR Jazz Festival Womansound, Issue 2, Queer Beet flyer. Sal, Mag and Shirl flyer.

Resonance interview by Lee Moodie. Blow the Fuse jazz club flyer. Meet Your Feet in the s. Press release Meet Your Feet s. Meet Your Horny women in Bear Creek Round Our Way album cover.

Spare Rib Spare Rib Gig list. Photo copyright Peter Simpkin. Share this: Click to share on Facebook Opens in new window Click to email this to a friend Opens in new window Click to share on Twitter Opens in new window Click to share on Reddit Opens in new window Click to print Opens in new window.

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